01
Brand Strategy
Brand Strategy
What you’ll get
Positioning
Audience
Messaging
Brand architecture
01
What you’ll get
Positioning
Audience
Messaging
Brand architecture
01
01
02
What you’ll get
Art direction
Logo system
Typography & colour
Brand guidelines
02
02
03
What you’ll get
IA
UX strategy
Interface design
Interaction design
03
03
04
What you’ll get
Responsive build
CMS / content systems
Performance
Interactions
04
04
05
What you’ll get
Visual concept
Imagery
Composition
Campaign system
05
05
06
What you’ll get
Micro-interactions
Transitions
Motion identity
Interactive storytelling
06
06
01
What you make, who it’s for, and where it needs to show up. A short call and a few references are enough to begin.
01
What you make, who it’s for, and where it needs to show up. A short call and a few references are enough to begin.
02
Research and positioning, distilled into one sharp idea agreed before a single logo is drawn.
02
Research and positioning, distilled into one sharp idea agreed before a single logo is drawn.
03
Identity, type, colour and website designed together, so every touchpoint speaks in one voice.
03
Identity, type, colour and website designed together, so every touchpoint speaks in one voice.
04
Source files, guidelines and a site your team can run with notes that keep it consistent long after launch.
04
Source files, guidelines and a site your team can run with notes that keep it consistent long after launch.
Nara built us a system we can actually hold. Every touchpoint speaks in one voice, and the brand finally has a spine.

Brand Director, Quantec
Nara built us a system we can actually hold. Every touchpoint speaks in one voice, and the brand finally has a spine.

Brand Director, Quantec
We launched with one voice instead of twelve. Nara cut the noise and rewrote our brief into something we could build from.

Founder, Rivox
We launched with one voice instead of twelve. Nara cut the noise and rewrote our brief into something we could build from.

Founder, Rivox
The type does the art direction. Every page feels decided, not decorated, and nothing is there by accident.

Creative Lead, Neumont
The type does the art direction. Every page feels decided, not decorated, and nothing is there by accident.

Creative Lead, Neumont
Nara designed the identity before designing the look, and that order changed how our studio works.

Head of Brand, Sable & Co
Nara designed the identity before designing the look, and that order changed how our studio works.

Head of Brand, Sable & Co
Nara built us a system we can actually hold. Every touchpoint speaks in one voice, and the brand finally has a spine.

Brand Director, Quantec
The type does the art direction. Every page feels decided, not decorated, and nothing is there by accident.

Creative Lead, Neumont
We launched with one voice instead of twelve. Nara cut the noise and rewrote our brief into something we could build from.

Founder, Rivox
Nara designed the identity before designing the look, and that order changed how our studio works.

Head of Brand, Sable & Co
Nara Parker
London · EST. 16
Nara Parker is an independent art director working from London. The work starts with position - who it is for, what it should refuse - then becomes identity, site, and motion as one language.
Studios come when a brand has to hold still in a room and still move in a browser. Ten years of identity systems, campaign sites, and the quieter work of deciding what not to ship.
Nara Parker is an independent art director working from London. The work starts with position who it is for, what it should refuse then becomes identity, site, and motion as one language.
Studios come when a brand has to hold still in a room and still move in a browser. Ten years of identity systems, campaign sites, and the quieter work of deciding what not to ship.
(experience)

Art Director
2024–26

Art Director
2022–24

Brand Designer
2020–22

Designer
2018–20

Junior Designer
2016–18








Click to enter

The studio
North light, one long table.

Window seat
Best ideas arrive between cities.

Morning cup
Nothing opens before the coffee does.
Film roll
Thirty-six frames per trip, no more.
Long haul
Briefs read at thirty thousand feet.

Cafe hours
Any free table is a studio.

The studio
North light, one long table.

Window seat
Best ideas arrive between cities.

Morning cup
Nothing opens before the coffee does.
Film roll
Thirty-six frames per trip, no more.
Long haul
Briefs read at thirty thousand feet.

Cafe hours
Any free table is a studio.

The studio
North light, one long table.

Window seat
Best ideas arrive between cities.

Morning cup
Nothing opens before the coffee does.
Film roll
Thirty-six frames per trip, no more.
Long haul
Briefs read at thirty thousand feet.

Cafe hours
Any free table is a studio.
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